Recently, I handed in a big brown envelope at an office in Dublin. It did not contain money, but it did contain something previous: my application for Irish Arts Council funding to develop a literature project. I applied to the Artist in the Community Scheme, which gives artists funding to develop projects with a community group of their choice.
In my case, the community group will comprise visually impaired people who are service users of the National Council for the Blind of Ireland (NCBI). I’ve been giving creative writing workshops there for some time, so I felt it was time to take the workshops to the next level. NCBI have given me great support in my ventures. We’ve decided that a radio broadcast would be the right fit for the group.
Research Into Application
My research for this application and in general over the last couple of years tells me that if you want to get funding for such a project to happen, you need to do it as a group project. Everyone involved contributes to the artwork, but the artist is the leader and kits together everyone’s contribution to create one original piece of art.
This involves a shift in thinking for me, from being a facilitator to being an artist who leads a group towards the creation of an artwork. To manage this shift in thinking and learn more about the process of creating a collaborative artwork, I applied for a mentor as part of the funding.
The mentor I chose is called Ciaran Taylor and he has worked with visually impaired people in a radio drama project called Sightless Cinema. So he understands the needs of my chosen group, and he has loads of experience in bringing together people’s ideas to make an artwork.
Create, a community arts organisation which runs the Artist in the Community Scheme for the Irish Arts Council, run a very helpful advisory service. One of their coordinators spent ages with me, giving me advice. She really gave me food for thought, about how to turn myself from a facilitator into an artist, and the importance of not presuming to know what a group might want.
If I am successful, the biggest challenge I have will be in recruiting people for the project. Because I’ve been working at NCBI for the last couple of years, the participants have already done several workshops with me, so they may feel they’ve already done enough. So we’ll be widening the pool of participants, and we’ll also invite sighted people who have an association with NCBI to come along. This will make the project more mainstream and integrated.
Goal of Project
The aim of this phase of the project will be to figure out what type of project will best suit the group. Maybe it will be linked spoken word pieces, or maybe it will be a long, glorious stream of words. Or maybe it’s not a viable project at all, but that will be an outcome in itself. Either way, it will be up to me to make the project a success. That’s quite a daunting thought, but I’m ready for a new challenge.
Have you ever worked on a collaborative arts project? What did you do to provide leadership and inspiration to the group? What process did you use to achieve the final project?