Have you ever read a book where all the ingredients are in place, but the story fails to ignite? I’m sure the experience will be familiar to many of you. I experienced it recently with a book that came highly commended from many quarters. But rather than simply shrug it off as a dull reading experience, I fell to pondering on what qualities had made the book dull for me.
And I concluded that the book was too introverted for me.
I once heard the acclaimed author Mary Costello talk about writing in an introverted style. She is an introvert herself, and considers loneliness to be a natural state for her human being. This leaked into her writing, into the small, delicate stories she creates.
I’ve written before about that special quality I call “the crackle,” an extra ingredient of passion or excitement that makes a book to life. Now I think of it, the crackle is a quality associated with extroversion: noisy stories that aren’t afraid to put themselves out there.
You could argue that it’s the writer who’s introverted, not the stories. But I do think some stories give you the chance to experience the world from the viewpoint of an introvert, with inspiration drawn from within.
Here’s my take on what makes a story introvert or extrovert?
Extroverted stories tend to have a large cast of characters who talk a lot, so there’s lots of dialogue. Extroverts like a crowd, so there always plenty of colourful types to get to know when you’re reading the stories. Introverted stories will only have one or two central characters, and there’s less dialogue. Instead, you’re more likely to get an insight into their thoughts.
Even when a story deals with the everyday, that can be a microcosm of bigger themes. But an extrovert writer is more likely to sweep you up in an epic tale that tackles themes like love and death on a grand scale, with lots of battles and passionate clinches. In an introverted story, the action could be concentrated on one room, with the theme gradually revealed through the character’s actions and inner dialogue.
Extrovert writers are more likely to write with bold brush strokes, because they want their words to be noticed. Introvert writers use more delicate strokes to paint subtle portraits. Just as introverts in real life like to think things out, you’ll have to work a little harder to figure out what the author is trying to say. This
Do you think stories can have introvert or extrovert qualities? Can you think of examples?