I’m giving a children’s writing camp this summer and I’m looking forward to it. It’s been about two years since I gave a writers’ camp to children, and in that time, I’ve gathered lots of ideas for working more effectively with children, and I’m dying to put these into practise. Working with children brings lots of challenges, and careful preparation will ensure I can rise to those challenges.
Here’s a flavour of the kinds of challenges I’ll be dealing with.

Condensing five days into three days
I always gave five-day writing camps before, lasting two hours each. But on the suggestion of fellow writer and mother Orla Shanaghy, a great promotor of my camps, I’ve adjusted the format to a three-day camp with longer sessions. I’m hoping this will be more convenient for working mothers. But it does mean I’ll need to hold children’s attention for longer. Other writer-mothers on a Facebook group I run suggested things like adding drawing activities, word games and lots of breaks. I’m confident that if I act on their suggestions, the time will fly.
Dealing with personalities
From previous experience, I’ve found that there are two extremes of personality I need to deal with in children’s writing camps. One is the loud child who is brilliant at distracting everyone else with their lively wit and imagination. The other is the shy child who regards reading aloud as the equivalent of swallowing nails. For the loud child, boredom may be a factor, so I’ll keep the workshop moving and give them tasks to do. And for the quieter ones, I aim to make the atmosphere as warm as welcoming as possible, so they’ll realise that reading aloud isn’t so awful after all.
Managing volunteers
When you run a children’s writing camp, you must have other adults available for health and safety reasons. These people play a very valuable role, but they’re a responsibility too. My main responsibility to them is to make it clear what I’d like them to do, so they’re not just sitting there. They’ll have lots of practical things to do, like hand out writing materials and take children to the bathroom. But they play a creative role too, helping children who are quieter or work more slowly. Essentially, they’re a second pair of eyes and hands.
Have you ever run a children’s camp of any kind? What challenges have you come across and how have you dealt with them?